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Submissions from 2016

Mapping Print, Connecting Cultures, Simon Burrows, Jason Ensor, Per Henningsgaard, and Vincent Hiribarren

The Subject Effaced: Identity and Race in Django Unchained, Jarrod Dunham

Review of David Deutsch. British Literature and Classical Music: Cultural Contexts, 1870–1945, Josh Epstein

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Changes in Tone, Setting, and Publisher: Indigenous Literatures of Australia and New Zealand from the 1980s to Today, Per Henningsgaard

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Emerging from the Rubble of Postcolonial Studies: Book History and Australian Literary Studies, Per Henningsgaard

Drawn from the Classics: Graphic Adaptations of Literary Works, Susan Kirtley

Submissions from 2014

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Teaching Australian Literature in a Class about Literatures of Social Reform, Per Henningsgaard

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The Editing and Publishing of Tim Winton in the United States, Per Henningsgaard

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A Pedagogical Tool for Studying the History of the Book: Thirty-Fiive Years of Bibliographical Presses in Australia and New Zealand, Per Henningsgaard, Kristen Colgin, and Clyde Veleker

Submissions from 2013

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Australian Journalist Rocks New York: Lillian Roxon’s Rock Encyclopedia, Per Henningsgaard

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Our Cup Runneth Over: Life-Stories from Fremantle Go National, Per Henningsgaard

Submissions from 2009

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Book Publishing in Western Australia: A World Elsewhere, Per Henningsgaard

Submissions from 2008

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The Teaching of 'Book History' in English and Cultural Studies Units, Per Henningsgaard

Submissions from 2007

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Regional Literature and ‘The Liminal’: Exploring the Spaces In-Between National and International Literatures, Per Henningsgaard

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The Decline of Regionalism in Australian Literature and Culture, Per Henningsgaard