The Beach, Exposed

Published In

Short Film Studies

Document Type

Citation

Publication Date

4-2017

Abstract

I analyse The Beach through the concept of exposure – both its overexposed aesthetic and the exposure among the characters as the film unravels. Gendering the idea of ex-peau-sition (Jean-Luc Nancy), I posit a form of feminine writing both through the skin (peau) of the film and the skin of Anne.

DOI

10.1386/sfs.7.1.41_1

Persistent Identifier

http://archives.pdx.edu/ds/psu/20425

Publisher

Short Film Studies

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