First Advisor
Erik Geschke
Date of Award
6-2025
Document Type
Thesis
Degree Name
Bachelor of Fine Arts (B.F.A.) in Art Practice and University Honors
Department
Art + Design
Language
English
Subjects
Anthopology, portraiture, science fiction, costume, painting, narrative
DOI
10.15760/honors.1728
Abstract
This work is a series of four six foot tall full-body portraits of people, which are displayed alongside an actual, physical item or garment present in the associated painting. The purpose of this is to blur the line between the fiction of the individuals depicted and the viewer. By creating "portals" through which to view them as equals in stature, Linus Gomez Ellis is taking something that can be seen in the ecosystem of this fiction and making it into an objective reality. The most enduring, well preserved, and eternal pieces of history and anthropology are tall tales. This ecosystem, taking place in a society built on the fossilized body of an ancient colossal organism, is a rumination on symbiosis, the natural world, social class generated in response to natural resource extraction and the act of extraction itself. Before the modern age, there was less emphasis placed on the distinct line between fiction and science - the pursuit of truth was paramount, less so the pursuit of fact.
Rights
In Copyright. URI: http://rightsstatements.org/vocab/InC/1.0/ This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Persistent Identifier
https://archives.pdx.edu/ds/psu/43835
Recommended Citation
Gomez Ellis, Linus, "Gianjara's Ribs: The Ecosystem, Body, Animalia, and Politic" (2025). University Honors Theses. Paper 1695.
https://doi.org/10.15760/honors.1728
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