First Advisor

Aaron Roussell

Term of Graduation

January 2025

Date of Publication

1-1-2025

Document Type

Dissertation

Language

English

Subjects

Italy, Migrant Crisis, Neo-fascism, Social media

Physical Description

1 online resource ( pages)

Abstract

This dissertation examines the intersection of Italian neo-fascism, the Mediterranean migrant crisis, and digital media. Through a qualitative content analysis of the Twitter and Instagram posts made by Italy’s center-right parliamentary coalition from 2014–2018, this research outlines frameworks that facilitate both the physical and social deaths of migrants. Twitter is a platform on which bite-sized xenophobic messages characterize migrants as criminals, spoiled youth, spreaders of infectious disease, and future terrorists—sometimes in a contradictory fashion. Instagram is a medium for conveying Italian identity and history, which disregards the longstanding contributions of people of color, including Muslims, in Southern Italy. Comment sections serve as spaces in which content from the coalition’s four key politicians is both internalized and challenged. Some commenters double down on corporal punishment or repatriation measures aimed at migrants, while others show greater concern for homegrown organized crime and gendered violence. These findings are oriented within the appointment of Giorgia Meloni as prime minister, who is Italy's first female executive leader and closely linked to neo-fascism. Feedback from commenters suggests that Meloni’s likeness helps repackage her regressive ideas about migration in a fresh and approachable way, with Meloni serving as the picture of white femininity that is under threat by foreign influence. Recommendations for resisting fascist rhetoric online include uplifting the contributions of Italians of color and reclaiming populist language that has become the domain of the far-right.

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Available for download on Saturday, June 27, 2026

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