Abstract
These poems are part of a larger manuscript that explores the poet's lifelong engagement with knitting and sewing-- and with the usually woman-centered communities that form around these crafts. The poems also respond to the cultural treatment of craft knowledge as frivolous or simple, highlighting the highly technical nature of such work and the mathematical, structural, and geometric knowledge required to successfully execute textile crafts. Densely referential, these poems invite the reader to play within their sounds and associations, making her own leaps and connections as she reads.
DOI
10.15760/harlot.2015.14.11
Persistent Identifier
https://archives.pdx.edu/ds/psu/39487
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License.
Recommended Citation
Myers, Danika Paige
(2015)
""All the Lovely Ladies" and "Celestarium","
Harlot: A Revealing Look at the Arts of Persuasion:
No.
14, 11.
https://doi.org/10.15760/harlot.2015.14.11