Abstract
For this piece, I wanted to share some observations about Shepard Fairey's iconic poster given the timeliness of the text, not only in the wake of the 2008 presidential campaign, but also because of the still-pending Fair Use lawsuit against the Associated Press, the recent installation of the poster in the Smithsonian, and the debut of Fairey's "Supply and Demand" exhibition currently on display at Boston's Institute of Contemporary Art. Additionally, I wanted to comment on the piece in a way that was not only visually interesting -- thus the annotated break-out commentary -- but also in a way that packaged rhetorical analysis in a more accessible manner for a general readership.
A PDF capturing the annotated poster is downloadable and embedded below.
For the original annotated interactive poster, see the Internet Archive's Wayback Machine capture:
Rights
Fair Use Statement
Use of Shepard Fairey's poster falls under fair use, because the project is a critique of the work.
DOI
10.15760/harlot.2009.2.7
Persistent Identifier
https://archives.pdx.edu/ds/psu/39381
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License.
Original html file
OBAMAchairmen.gif (9 kB)
Che, Lenin, and Chairman Mao
OBAMAcolors.gif (4 kB)
Color palette
OBAMAetching.gif (5 kB)
Hatching/etching
OBAMAspoofs.gif (17 kB)
Spoofs: (Bob) HOPE, POPE, DOPE, NOPE
OBAMAgarcia.gif (10 kB)
Manny Garcia's original AP photograph
OBAMAslogans.gif (6 kB)
Slogans: HOPE, PROGRESS, CHANGE
Recommended Citation
McCorkle, Ben
(2009)
"The Annotated Obama Poster,"
Harlot: A Revealing Look at the Arts of Persuasion:
No.
2, 7.
https://doi.org/10.15760/harlot.2009.2.7