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File type: Audio/mp3; File size: 20.6 MB; File duration: 22:29
Abstract
Any musician coming out of Eau Claire, Wisconsin—given the recent success of local artists Bon Iver, S. Carey, and Megafaun—is often seen as a replication of the Eau Claire scene or a sub-par counterpart not worthy of an investment. In this interview with Shane Leonard, a discussion ensues where he chronicles the state of Americana music in 2013 and the foundations of his compositions while taking his audience through a step-by-step process of his rendition of the folk classic "Beautiful Doll" on the banjo. His reactions in this interview encourage listeners to experience how a musician, from the root notes to the final written verse, structures a song and allows an audience to walk into an overlooked musical space inside Eau Claire.
DOI
10.15760/harlot.2013.9.4
Persistent Identifier
https://archives.pdx.edu/ds/psu/39442
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License.
original article - html file
Langreck_ShaneLeonard.mp3 (21090 kB)
mp3 audio file - from SoundCloud
Langreck_interview_transcript.txt (14 kB)
interview transcript
Recommended Citation
Langreck, Seth Adam
(2013)
"Shane Leonard: Sonic Traditions in Eau Claire, WI,"
Harlot: A Revealing Look at the Arts of Persuasion:
No.
9, 4.
https://doi.org/10.15760/harlot.2013.9.4