First Advisor

William Fischer

Date of Publication

1988

Document Type

Thesis

Degree Name

Master of Arts (M.A.) in German

Department

World Languages and Literatures

Language

English

Subjects

Theodor Fontane (1819-1898) -- Criticism and interpretation, Landscapes in literature

DOI

10.15760/etd.5713

Physical Description

1 online resource (116 p.)

Abstract

This thesis traces and explicates the changes in Theodor Fontane's landscape depiction in the years 1887- 1892. I examine his novels Cecile (1887), Irrungen, Wirrungen (1888), and unwiederbringlich (1892). I show that Fontane, as though discarding a relic of the Romantic past, used increasingly less landscape in his narratives. He focused on the actions and conversation of his characters, and on their immediate surroundings. When these surroundings were urban, they tended to disappear. The progressive minimalization of landscape, and of cityscape in particular, foreshadowed the appearance in German literature of twentieth-century man: man alienated from nature in cities, and less aware of empirically observable surroundings than of internal forces and realities.

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Comments

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Persistent Identifier

http://archives.pdx.edu/ds/psu/21381

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