First Advisor
Anne McClanan
Date of Award
Winter 3-2024
Document Type
Thesis
Degree Name
Bachelor of Science (B.S.) in Art History and University Honors
Department
Art + Design
Language
English
Subjects
Byzantine, San Vitale, Great Palace, Mosaic, Roman Tradition, Justinian I
DOI
10.15760/honors.1550
Abstract
The Church of San Vitale and the Great Palace of Constantinople offer remarkable examples of artistic productions in early Byzantine mosaics. Bridging from the same Roman past they reinvented a classical medium with their unique interpretations of earlier traditions. They exemplify the diversity of Byzantine artistic productions that could coexist within the same medium and era. The mosaics of the Great Palace were part of a secular governmental public space and found deep in the heart of the Eastern Roman Empire. The mosaics of the Church of San Vitale were made for the domain of the newly reconsecrated Orthodox church of Italy. These two crucial sites of early Byzantine mosaics show the creativity of a multifaceted empire. Reflected in this paper is how fluid the dialogue of the early medieval world was to the ancient Roman traditions, as the classical past stood as the touchstone used to enhance Byzantine's claims to power and authority.
Persistent Identifier
https://archives.pdx.edu/ds/psu/42151
Recommended Citation
Spencer, Justine, "The Mosaic Programs of the Basilica of San Vitale and the Great Palace of Constantinople: A Unique Reinvention of Roman Pasts" (2024). University Honors Theses. Paper 1518.
https://doi.org/10.15760/honors.1550
Included in
Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Byzantine and Modern Greek Commons, Medieval History Commons, Medieval Studies Commons