First Advisor

Hildy Miller

Date of Award

Spring 6-2026

Document Type

Thesis

Degree Name

Bachelor of Arts (B.A.) in English and University Honors

Department

English

Language

English

Subjects

Film and television studies, LGBTQ studies, Spectatorship studies, Feminist studies

DOI

10.15760/honors.1846

Abstract

From the late 1960s through the early 1970s, a wave of lesbian vampire themed exploitation films proliferated through UK, US, and Western European cinemas. In critical literature on this subgenre, camp reading is often dismissed, unacknowledged, or understood as circumscribed by authorial intent and/or intended audience. With this alternating lack of attention to and dismissal of camp, the interpretive agency of the queer spectator is constrained, their spectatorship implicitly subordinated to that of the "conventional" horror audience—the voyeuristic-sadistic male spectator. Through a reading of The Vampire Lovers, a 1970 British production from Hammer Studios, I seek to explore how camp enables alternate identification for the queer spectator—even (or especially) as applied to objects of a culture profoundly hostile to such interpretation.

Persistent Identifier

https://archives.pdx.edu/ds/psu/44779

Share

COinS