Sponsor
Nohad A. Toulan School of Urban Studies and Planning
First Advisor
Carl Abbott
Date of Publication
Spring 6-3-2013
Document Type
Dissertation
Degree Name
Doctor of Philosophy (Ph.D.) in Urban Studies
Department
Urban Studies
Language
English
Subjects
Studio glass -- Washington (State) -- History, Art movements -- Washington (State) -- History -- 21st century, Arts -- Economic aspects -- Washington State -- Puget Sound Region, Glass art -- Washington (State) -- Seattle -- History -- 20th century
DOI
10.15760/etd.1096
Physical Description
1 online resource (vii, 312 pages)
Abstract
The studio glass movement first arose in the United States in the early 1950s, and was characterized by practitioners who wanted to divorce glass from its industrial associations and promote it as a fine arts medium. This movement began in a few cities in the eastern part of the country, and in Los Angeles, but gradually emerged as an art form strongly associated with the city of Seattle and the Puget Sound region. This research studies the emergence and growth of the studio glass movement in the Puget Sound region from 1970 to 2003. It examines how glass artists and Seattle's urban elites interacted and worked separately to build the support structures and "art world" that provided learning and mentoring opportunities, workspaces, artistic validation, audience development, critical and financial support, which helped make glass a signature Puget Sound art form, and the role that artist social networks, social capital, cultural capital and cultural policy played in sustaining this community. In particular, the research seeks to explore the factors that nourish a new art form and artist community in second-tier cities that do not have the substantial cultural and economic support structures found in the "arts super cities" such as Los Angeles, New York City, and San Francisco. This study contributes to the growing literature on artist communities, and the roles played by social capital, cultural capital, urban growth coalitions and policy at different stages of community development. Results can assist policymakers in formulating policies that incorporate the arts as a form of community development.
Rights
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Persistent Identifier
http://archives.pdx.edu/ds/psu/9936
Recommended Citation
Ryder, Marianne, "Forming a New Art in the Pacific Northwest: Studio Glass in the Puget Sound Region, 1970-2003" (2013). Dissertations and Theses. Paper 1096.
https://doi.org/10.15760/etd.1096