Sponsor
Portland State University. Department of English
First Advisor
Robert Tuttle
Date of Publication
1978
Document Type
Thesis
Degree Name
Master of Arts (M.A.) in English
Department
English
Language
English
Subjects
Stephen Crane (1871-1900) -- Criticism and interpretation, Irony in literature
DOI
10.15760/etd.2837
Physical Description
1 online resource (123 p.)
Abstract
Stephen crane's major irony in his art is produced by contrasting his characters' illusions with reality. In Maggie that reality is an environmental indifference that is very much like the deterministic environment of the Naturalistic Novelists. Maggie's perceptions and expectations contrast with this reality, seeming very ironic. In The Red Badge of Courage, "The Open Boat," and "The Blue Hotel,” each character's illusion is contrasted with a reality that is absolutely indifferent. It is in these works (as well as in his letters and poetry) that Crane affirms man's need to embrace those illusions which enable him to face reality. The contrast between illusion and reality still generates irony, yet, Crane accepts the irony as a fact of life in an ironic universe.
Rights
In Copyright. URI: http://rightsstatements.org/vocab/InC/1.0/ This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Persistent Identifier
http://archives.pdx.edu/ds/psu/17204
Recommended Citation
O'Bryant, Michael J., "Stephen Crane's ironic vision" (1978). Dissertations and Theses. Paper 2843.
https://doi.org/10.15760/etd.2837
Comments
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