Sponsor
Portland State University. Department of Art
First Advisor
Susan Harlan
Term of Graduation
Spring 1997
Date of Publication
5-15-1997
Document Type
Thesis
Degree Name
Master of Fine Arts (M.F.A.) in Painting
Department
Art
Language
English
Subjects
Abstract painting
DOI
10.15760/etd.7260
Physical Description
1 online resource (27 pages)
Abstract
This thesis project consists of five large scale, abstract paintings executed on Masonite panels. A major component of these paintings is the heavily built-up surface texture. In order to achieve this heavy, sculptural surface, plaster and acrylic media have been applied in an aggressive, spontaneous manner using variously-sized masonry knives. The paintings are largely action-oriented. They are non-neutral, and they bespeak a great deal of intensity on the part of the artist.
The five paintings contain emotional content based upon personal experiences and family history. In some cases, I began a painting with the subject matter clearly in mind. In other cases, the subject matter began to make itself known during the process of painting, or afterward, when I spent more time with the work, studying its gestures, surface and energy, and reflecting on the events surrounding its creation. The titles are important, and they always come after the work is complete. They offer possible entries into the meaning of the work. Of course, if the viewer perceives any meaning at all, it is a result of his or her own mental processes. I have no control over that. What I have tried to do in these paintings is imbue them with enough strength that they might confront the viewer and evoke an exchange of experience.
Rights
In Copyright. URI: http://rightsstatements.org/vocab/InC/1.0/ This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Persistent Identifier
https://archives.pdx.edu/ds/psu/30987
Recommended Citation
Shotola-Hardt, Christopher A., "Combining the Historical and the Personal in Painting" (1997). Dissertations and Theses. Paper 5393.
https://doi.org/10.15760/etd.7260
Included in
History of Art, Architecture, and Archaeology Commons, Interdisciplinary Arts and Media Commons, Painting Commons
Comments
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