Sponsor
Portland State University. Department of Art
First Advisor
Michihiro Kosuge
Term of Graduation
Spring 1998
Date of Publication
1998
Document Type
Thesis
Degree Name
Master of Arts (MA)
Department
Art
Language
English
Subjects
Installations (Art), Art, Modern -- 20th century
DOI
10.15760/etd.3538
Physical Description
1 online resource (43 pages)
Abstract
My work was presented in the form of an installation. Using three and two-dimensional objects, as well as sound and light, I created a site specific type of installation. Materials involved in this project were hydrostone, plaster, steel and copper. The sound I recorded on my steel sculptures in an acoustic space and then mixed to create sound compositions to amplify the feeling for the space. This installation reflects my pursuits in painting and sculpture, as well as my interest in music and light effects. Its philosophical and spiritual content were expressed through visual language, symbolic use of elements and its number and performance part by an actor Johnny Stallings.
Rights
In Copyright. URI: http://rightsstatements.org/vocab/InC/1.0/
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Persistent Identifier
https://archives.pdx.edu/ds/psu/40156
Recommended Citation
Rupniewski, Adam Wieslaw, "The Theory of Nothing" (1998). Dissertations and Theses. Paper 6393.
https://doi.org/10.15760/etd.3538
Comments
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