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Submissions from 2018

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Who Teaches Technical and Professional Communication Service Courses?: Survey Results and Case Studies from a National Study of Instructors from All Carnegie Institutional Types, Sarah Read and Michael J. Michaud

Submissions from 2017

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Surface Reading The Upside Down Chandelier: Interface “Mastery” and Feminism, Kathi Inman Berens

Digital Humanities and Social Justice: a UO podcast, Kathi Inman Berens and Laura Sanders

From Waverley to Outlander: reinforcing Scottish Diasporic Identity through Book Consumption, Rachel Noorda

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Review of Minor Characters Have Their Day: Genre and the Contemporary Literary Marketplace", Rachel Noorda

Operational Metrics Reporting Processes at Scientific User Facilities: Comparing a High-Energy X-ray Synchrotron Facility to a Supercomputing Facility, Sarah Read and Michael E. Papka

Submissions from 2016

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Life Without a Recipe : a Memoir, Diana Abu-Jaber

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E-Literature as Public Art: ELO 2015's Five Gallery Shows, Kathi Inman Berens

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Feminist Horizons: ELO 2016 panel podcast, Kathi Inman Berens

Mapping Print, Connecting Cultures, Simon Burrows, Jason Ensor, Per Henningsgaard, and Vincent Hiribarren

The Subject Effaced: Identity and Race in Django Unchained, Jarrod Dunham

Review of David Deutsch. British Literature and Classical Music: Cultural Contexts, 1870–1945, Josh Epstein

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Changes in Tone, Setting, and Publisher: Indigenous Literatures of Australia and New Zealand from the 1980s to Today, Per Henningsgaard

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Emerging from the Rubble of Postcolonial Studies: Book History and Australian Literary Studies, Per Henningsgaard

Drawn from the Classics: Graphic Adaptations of Literary Works, Susan Kirtley

The History of Oxford University Press, Volume 1: Beginnings to 1780, written by Ian Gadd, Rachel Noorda

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The Power of the Small Press: Entrepreneurial Publishing and Disruption of the Industry, Rachel Noorda

The Net Work Genre Function, Sarah Read

Improving Models of Document Cycling: Accounting for the Less Visible Writing Activities of an Annual Reporting Process at a supercomputing facility, Sarah Read and Michael E. Papka

Submissions from 2015

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Live/Archive: Occupy MLA, Kathi Inman Berens

Making a Thing of Quality Child Care: Latourian Rhetoric Doing Things, Sarah Read

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Writing about Writing and the Multimajor Professional Writing Course, Sarah Read and Michael J. Michaud

Visualizing and Tracing: Research Methodologies for the Study of Networked, Sociotechnical Activity, Otherwise Known as Knowledge Work, Sarah Read and Jason Swarts

Submissions from 2014

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Judy Malloy's Seat at the (Database) Table: A Feminist Reception History of Early Hypertext Literature, Kathi Inman Berens

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Teaching Australian Literature in a Class about Literatures of Social Reform, Per Henningsgaard

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The Editing and Publishing of Tim Winton in the United States, Per Henningsgaard

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A Pedagogical Tool for Studying the History of the Book: Thirty-Fiive Years of Bibliographical Presses in Australia and New Zealand, Per Henningsgaard, Kristen Colgin, and Clyde Veleker

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Motherhood and the Race for Sustainability, Marie Lo

Submissions from 2013

Australian Journalist Rocks New York: Lillian Roxon’s Rock Encyclopedia, Per Henningsgaard

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Our Cup Runneth Over: Life-Stories from Fremantle Go National, Per Henningsgaard

Submissions from 2012

International Success: Selling Niche Titles Beyond the Prime Home Market, Rachel Noorda

Submissions from 2011

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Birds of Paradise : a Novel, Diana Abu-Jaber

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The Negotiation of Writer Identity in Engineering Faculty - Writing Consultant Collaborations, Sarah Read

Submissions from 2009

A Political Poetics: George Oppen and the Essential Life of the Poem, Tom Fisher

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Book Publishing in Western Australia: A World Elsewhere, Per Henningsgaard

Submissions from 2008

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The Teaching of 'Book History' in English and Cultural Studies Units, Per Henningsgaard

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Model Minorities, Models of Resistance: Native Figures in Asian Canadian Literature, Marie Lo

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The Currency of Visibility and the Paratext of “Evelyn Lau”, Marie Lo

Submissions from 2007

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Origin: a Novel, Diana Abu-Jaber

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Regional Literature and ‘The Liminal’: Exploring the Spaces In-Between National and International Literatures, Per Henningsgaard

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The Decline of Regionalism in Australian Literature and Culture, Per Henningsgaard

Passing Recognition Obasan and the Borders of Asian American and Canadian Literary Criticism, Marie Lo

Submissions from 2005

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The Language of Baklava, Diana Abu-Jaber

Submissions from 2003

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Crescent, Diana Abu-Jaber

Submissions from 1993

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Arabian Jazz, Diana Abu-Jaber